Saturday, January 07, 2006

Human eyesore demands attention.


Look at me, God damn it!

When you make your living gleaning in the fields of other people’s talent, you need to have a care about remembering who the host is, and who is the tapeworm.

Doubly so when you cling to a peripheral kind of fame only by the buffoonish appearance you cultivated as a younger man and that now only looks unbelievably creepy to adults and, I would imagine, evokes nothing but primal, terrifying images the Homicidal-Clown (one of the lesser-known Jungian archetypes) in children.

Not that critics aren’t necessary, or that the craft of assessing the work of others cannot be, in itself, a High Art.

But when you are a completely superfluous cultural carbuncle like Shalit, perhaps you’d best tread lightly.

When you are fit for no kind of honest work…

When you exist -– one might speculate -- in a constant state dread knowing that you hang onto a paycheck solely by virtue of the fact that you have irrevocably adapted your digestive system to live exclusively off the orts that float around in the bizarre Entertainmentville meniscus in which you live…

When one careless flick of the wrong finger can break the celebrity surface tension that holds your whole Universe together and you can find yourself on dry land, dying-trout-flopping and fighting with Michael Medved for the last available bottom-feeder slot...

…perhaps you’d better tread very fucking lightly indeed.

And not say stupid shit like this.

GLAAD Mad at Shalit's "Brokeback" Breakdown

By Sarah HallFri Jan 6, 7:44 PM ET

For the most part, the critics agree that Brokeback Mountain is one of the year's most commendable films.

Then there's Gene Shalit's point of view.

The veteran Today show critic has been taken to task by the Gay and Lesbian Alliance Against Defamation over his negative review of the gay cowboy western, in which he referred to Jake Gyllenhaal's character, Jack, as a "sexual predator" who "tracks Ennis down and coaxes him into sporadic trysts."

The group claimed that Shalit's statements, delivered during his "Critic's Choice" segment on Thursday's Today show, promoted "defamatory anti-gay prejudice to a national audience," and criticized NBC News for providing the eccentric critic with a platform from which to air his views.

"Shalit's bizarre characterization of Jack as a 'predator' and Ennis (Heath Ledger) as a victim reflects a fundamental lack of understanding about the central relationship in the film and about gay relationships in general," GLAAD said in a statement. "It seems highly doubtful that Shalit would similarly claim that Titanic's Jack (Leonardo DiCaprio) was a 'sexual predator' because he was pursuing a romantic relationship with Rose (Kate Winslet)."

"Shalit has every right as a film critic to criticize Brokeback Mountain," GLAAD retorted. "But his baseless branding of Jack as a 'sexual predator' merely because he is romantically interested in someone of the same sex is defamatory, ignorant and irresponsible."
Three things it is impossible for me to care less about:

Paris Hilton’s analysis of international monetary policy.

Pat Robertson’s homicially deranged views on God.

And rustic opinions on human sexuality coming out of the follicle-bin of a has-been film blurb Pez-Dispenser that looks – for deliberate, market-branding reasons -- like he’s been cobbled together out of ass-hair and ear-wax.

So either shut up and do your funny dance, monkey-boy, or get out of town.

23 comments:

Anonymous said...

Ear wax?

jurassicpork said...

Can't sleep, evil Gene Shalit will kill me. Can't sleep, evil Gene Shalit will kill me. Can't sleep...

Anonymous said...

"Earwax, earwax, chewy gooey earwax..."
(A silly thing I heard as a kid)--IBW

Anonymous said...

You can't tell me Gene Shalit isn't gay. I mean, come on.....that mustache? Puh-leeeze.

drumwolf said...

Lordy, that is one scary-looking picture.

Maybe that's just a bad picture and he's not necessarily that ugly. But if he really IS that hideous, no wonder he's bitter towards gays: he's jealous because they get some and he doesn't.

Anonymous said...

One of our rights is to appear ugly by societal standards. Another is to disregard stupid opinions (in fact, this is a duty). And a third is to not watch television.

I mean it's so easy these days to take down fools, regardless of their looks. In politics they are all fair game, but in television, who carez? Movie critics have never correctly identified the films I find entertaining (okay, I used to watch Mystery Science Theater but).

Anonymous said...

Its been so long since I've seen a picture of this guy I thought at first it was a picture was Leroy Neiman -- guess it was the mustache that did it -- cuz we would'nt want to confuse a real artist with a real criticn now would we?

isabelita said...

Oh my stars. His nose looks like a prick; has he been shoving Viagra tabs up it, do you suppose?
And what does the "G" on his... what the fuck, is that TWEED?... baseball cap stand for? Gorgon-faced? Gutshot? Gorged and gutbusted?
And yet another hideous wingnut. Yet another graphic bit of evidence for my theory....

Mister Roboto said...

And rustic opinions on human sexuality coming out of the follicle-bin of a has-been film blurb Pez-Dispenser that looks – for deliberate, market-branding reasons -- like he’s been cobbled together out of ass-hair and ear-wax.

Drifty, how can you possibly make such a defamatory comparison? Shame on you for being so unfair...

To ass-hair! :-D PSYCH! Had ya goin' there, didn't I? Didn't I?

Anonymous said...

Critics serve the same function on the arts that fleas serve on a dog, or neoconservatives on a democracy.

driftglass said...

dus7 said...
One of our rights is to appear ugly by societal standards. A right I rigorously defend if only for purely selfish reasons. OTOH, when you go to great lengths to deliberately accouter yourself sartorially and tonsorially as a clown and make your living cranking out tripe and trivia...you can expect to get get hit with a chair when you decide to start blathering about serious matters in a ridiculous way.

Ivory Bill Woodpecker,
You're wrong. Bad critics are bad, but good critics are useful. During her career, Pauline Kael was a terrific critic and writer. Edgar Poe, during his lifetime, was much better known for his lit crit (which often went too far) than his writing.
Harlan Ellison's essays on teevee were a) damned good writing, and b) seminal analysis of the medium. You can pick up "The Glass Teat" today and it reads as fresh and insightful as the day it was written.

Hell, the writing teacher who told me, "Your story starts on page four. Everything before that is just you showing off so scrap it" was a good critic, which is why I sought him out.

Good critics are valuable truffle hogs that can help root out the good shit.

But bad critics -- who are much more numerous -- are just swine.

Anonymous said...

Drifty, we'll have to agree to disagree about critics. Perhaps I'd agree with you if I thought there was such a thing as objectively "good" or "bad" art, rather than merely what the beholder happens to like or dislike.---IBW

Anonymous said...

Ivory bill woodpecker:

Ed Naha's six-word review of an obscure lump of sf film Gorgonzola called "From Hell It Came" (Naha: "And to Hell it may go!") surely qualifies as a work of art in its own right.

Anonymous said...

I take a pragmatic attitude toward "bad" art. I would prefer that "bad" artists find enough people with "bad" taste that they can make a living off their "bad" art, so that the "bad" artists won't be competing with me for scarce jobs, nor will they go on welfare--which I support, but let's have as many decently-paying jobs as possible so fewer people need it.

To the extent that critics succeed in keeping people from buying "bad" art, and therefore keeping "bad" artists from making a living off their "bad" art, the critics increase the number of my competitors in the job market and/or increase my tax bill for helping the unlucky souls who can't find decent jobs. Hence, why should I support critics?

Pragmatically yours, Ivory Bill Woodpecker

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